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VINTAGE MIDCENTURY

Sir Godfrey Kneller Mrs Voss And Catherine Kneller Oil Canvas

Stock No

36778

Member since
2024
  • £1,450.00
  • €1,692 Euro
  • $1,924 US Dollar

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Item Description

This early 18th-century oil on canvas painting, attributed to the circle of Sir Godfrey Kneller, is an exceptional Baroque portrait artwork. The painting, laid onto a panel, represents a compelling historical piece linked to Mrs. Voss, who was active circa 1685-1690 and recognized as the mistress of Sir Godfrey Kneller and the mother of Catherine (Agnes) Huckle.

Key Details:

Medium: Oil on canvas, laid onto panel

Period: Early 18th century

Condition: Unframed oil panel

Dimensions: Height - 28 inches | Width - 34 inches

Historical Connection: A larger version of this artwork is held in the Kingston Lacy Estate, Dorset

Artist Influence: Connected to the circle of Sir Godfrey Kneller, one of the most influential portrait artists of the Baroque period.

This Old Master portrait painting is a fine example of Kneller’s portrait style, making it a sought-after piece for collectors, historians, and art enthusiasts looking to buy antique paintings in Sussex or the UK.

About Sir Godfrey Kneller (1646-1723)

Sir Godfrey Kneller (born Gottfried Kniller) was a renowned Baroque portrait painter of Anglo-German descent, widely considered one of the greatest portraitists of the late 17th and early 18th centuries. His influence on English portraiture was significant, and his works remain highly collectible today.

1. Early Life and Training

Birth: August 8, 1646, Lübeck, Germany

Parents: Zacharias Kniller (merchant) and Lucia Kniller

Education:

Studied painting in Lübeck

Trained in Amsterdam under Ferdinand Bol (a student of Rembrandt)

Influenced by the Dutch Golden Age art movement

During his training, Kneller adopted techniques from Rembrandt and Bol, shaping his mastery of light, shadow, and lifelike portraiture.

2. Italian Influence and Artistic Growth

Traveled to Italy in the early 1670s to study Titian, Veronese, and Caravaggio

His exposure to Italian Renaissance and Baroque art deepened his understanding of color theory, composition, and grand portraiture

After returning to Northern Europe, he briefly worked in Hamburg before moving to England in 1676

3. Kneller’s Rise in England and Royal Patronage

His talent quickly gained recognition among English aristocracy and royalty

In 1680, he was appointed Principal Painter to King Charles II

Over his career, Kneller painted portraits of five English and British monarchs:

King Charles II

King James II

King William III & Queen Mary II

Queen Anne

King George I

His iconic portrait paintings continue to serve as historical records of British nobility, making his works highly valuable in the art market.

4. Notable Works and Contributions

Kit-Cat Club Portraits: A famous series of 48 portraits of prominent literary, political, and cultural figures of the time.

Developed the grand yet lifelike Baroque portrait style, balancing realism with nobility.

His influence on later English portrait painters, such as Thomas Gainsborough and Joshua Reynolds, was profound.

5. Kneller’s Honors and Legacy

Knighted by King William III in 1692

Created a Baronet by King George I in 1715

Naturalized British Citizen in 1711

Passed away on October 19, 1723, and was buried in Twickenham, England.

His works remain highly collectible, sought after by art collectors, historians, and museums worldwide.

Historical & Artistic Significance of the Painting

This early 18th-century oil portrait attributed to Kneller’s circle is an outstanding example of his influence on Baroque portraiture. The depiction of Mrs. Voss and her connection to Catherine (Agnes) Huckle adds historical depth and collector value.

1. Artistic Style and Features

Detailed brushwork characteristic of Kneller’s school

Rich color palette influenced by Titian and Rembrandt

Noble posturing typical of 17th-18th century aristocratic portraiture

Use of light and shadow to enhance depth and realism

2. Collector’s Appeal & Investment Potential

Highly sought-after Old Master artwork with documented provenance

Strong appeal to art collectors, historians, and museums

Valuable addition to Baroque art collections

Investment-worthy due to high demand for Kneller’s works in auctions and private sales

3. Comparison to the Kingston Lacy Version

A much larger version of this painting exists in the Kingston Lacy Estate, Dorset

This smaller panel version offers collectors a unique opportunity to own a historically significant work at a more accessible scale and price

Final Thoughts

The circle of Godfrey Kneller oil on canvas painting featuring Mrs. Voss and Catherine (Agnes) Huckle is an important historical artwork. Whether you are an art collector, investor, or historian, this painting represents a rare opportunity to acquire a piece of Baroque portraiture.

Why This Painting is a Must-Have for Collectors:

Authentic Old Master Portrait from the School of Kneller

Strong Historical and Artistic Value

Investment Potential in the Art Market

Connected to the Kingston Lacy Collection

Ideal for Collectors of English Baroque Portraits

For those looking to buy an original Sir Godfrey Kneller painting or a historical 18th-century portrait, this artwork offers exceptional provenance and value.

Item Info

Seller Location

Seaford, Sussex

Item Dimensions

H: 28cm W: 34cm

Period

1720

Item Location

United Kingdom

Seller Location

Seaford, Sussex

Item Location

United Kingdom

Seller Contact No

+44 (0)776 1984805

+44 (0)7565 761917

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